When Samuel Beckett’s play exploded on to the stage 50 years ago, it shocked as many people as it delighted. There had never been a play like it; indeed it was said that: “(Beckett) has achieved a theoretical impossibility – a play in which nothing happens, that yet keeps audiences glued to their seats”.
In the play, two old friends (Estragon and Vladimir) meet to converse, joke and argue with themselves as they wait through one day and then another for the mysterious Godot. The combination of music hall, poetry and tension redefined what is possible in theatre, so that today, Waiting for Godot is accepted as one of the most significant plays of the 20th century.
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